PROGRAM

21. oktobar

VRSTE

Kulturni centar REX

19h

Predstava je nastala kao rezultat projekta koji se bavi uključivanjem mladih umetnica iz oblasti savremenog plesa u profesionalni rad.

Njen fokus je njihov odnos prema savremenom plesu i plesnim institucijama, njihovo sagledavanje (trenutnog) stanja na plesnoj sceni, poimanje budućnosti, izbora i odluka sa kojima su morale da se susretnu kao i njihov pogled na ono što im je u polju umetnosti ponuđeno da se time bave ili konzumiraju.

Vrste su koautorski produkt, u kome koreografkinja uz podršku dramaturga zadaje okvir i principe, a izvođači određuju parametre kao što je tekst, ritam, pauze, stepen prisutnosti i izostanka. Izvođači (autentično) odgovaraju na razne zadatke, saopštavaju svoja iskustva, ali ih stavljaju u širi društveni kontekst. Predstava delom pokušava da ponudi odgovor na spoj generacijski raznorodnog tima, gde se (in)direktno unose razne reference i gde nije uvek jasno ko govori i kome se obraća, gde su zadaci višesmerni i odgovori se mešaju. Time se potencira i ukida specifičnost, a izbegava narativna struktura. Istražuju se nove vrste, koje su konstrukt, pa samim tim i neuhvatljive.

Koncept i koreografija: Jovana Rakić

Dramaturgija: Marko Pejović

Izvođenje, tekst: Jana Milenković, Mina Kontić, Nataša Šmelc, Tamara Pjević

Svetlo i ton: Marko Milinković, Bojan Palikuća

Muzika: BCH
fotografije: Maja Ven

Produkcija: Stanica Servis za savremeni ples

Podrška: Kulturni Centar Rex, Ministarstvo kulture i informisanja Republike Srbije i festival Van Okvira

SPECIES

Cultural Centre REX

7pm

Performance was created as a result of project concerning the inclusion of young artists in professional contemporary dance context. It focuses on their relationship to contemporary dance, dance institutions, their perception of (current) situation on local and global dance scene, the perception of their future, elections and decisions with which they have had to live as well as their own view on what they are offered to consume or deal with in the field of art and media.

Species are co-product, in which choreographer with the support of dramaturge, sets the framework and principles, while performers determine parameters such as text, rhythm, breaks, level of presence and absence. Artists are corresponding with different tasks, communicating about their experiences and putting them in a wider social context. The performance is partly trying to offer a response to the generationally heterogeneous team, where various references enter (in)directly and where it is not always clear who is speaking and to whom, where tasks are multidirectional and the answers are mixed. This emphasizes and abolishes specificity and avoids narrative structure. It examines new species, which are construct, and therefore elusive.

Concept & choreography: Jovana Rakić

Dramaturgy: Marko Pejović

Performance, text: Jana Milenković, Mina Kontić, Nataša Šmelc, Tamara Pjević

Light and sound design: Marko Milinković, Bojan Palikuća

Music: BCH
Photos by Maja Ven

Production: Stanica Servis za savremeni ples

Support: Rex Cultural Centre, Ministry of Culture and Information of the Republic of Serbia, Off Frame  festival

22. oktobar

PREZENTACIJA UMETNIČKE REZIDENCIJE

(Levi Gonzales & Mariana Valencia)

Magacin u Kraljevića Marka 4

19h

U okviru projekta GPS koji podržava saradnju između SAD i Istočne Evrope u oblasti savremenog plesa i performansa, Kondenz će ugostiti dvoje njujorških umetnika, Livaja Gonzalesa i Marianu Valenciu (Levi Gonzales i Mariana Valencia).


Livaj će sa beogradskom publikom podeliti svoja aktuelna umetnička istraživanja u formatu predavanja-performansa, ali i svoju dugu istoriju sa organizacijom Movement Research iz Njujorka i uticaj koji je ona imala na njega i na plesnu zajednicu. Livaj se raduje prilikama za zajednički rad u studiju i razmeni kreativnih praksi i dijaloga.

Mariana istražuje svoj performativni rad iz dnevničkih skica ličnih narativa koji obuhvataju etnografiju, memoare, observacije mojih ukrštenih kulturnih identifikatora. Posmatra istoriju urbanih prostora i suprotstavlja ih svojim iskustvima u predgrađu, na selu ili u imaginarnom. Od tih opservacija koje su činjenične, humoristične i ozbiljne, opisuje okvir iz kojeg identifikuje sebe. Njeno polazišno pitanje u ovim izvedbenim tekstovima je, Nisam sigurna ko će pisati moju istoriju; zato počinjem sada da bi oni imali dobre beleške. Izvodim ove vinjete u obliku albuma – kao deskriptivne slike i albuma pesama – da pružim publici uvid u to ko sam i zašto. Taj rad stvara ekspresivni luk koji povezuje tekst, ples i pesmu.

RESIDENCY PRESENTATION

(Levi Gonzales & Mariana Valencia)

Magacin in Kraljevića Marka 4

7pm

In the frame of GPS project of cooperation between the USA and Eastern Europe in the field of contemporary dance and performance, Kondenz Festival will host two New York based artists, Levi Gonzales and Mariana Valencia.

Levi will be sharing some of his current artistic research in a performative lecture format, as well as informally sharing his long history with the NYC based organization Movement Research and the impact it has had on him and the communities it reaches. He is also looking forward to opportunities to be in the studio with other artists to share creative practice and dialogue.

Mariana researches her performance work from a diaristic tableaux of personal narratives that encompass ethnography, memoir, and observations on her cross-cultural identifiers. She looks to the histories of urban spaces and juxtaposes them with her experiences in suburbia, the countryside and the imaginary plane. From these observations that are factual, humorous and grave, Mariana depicts the frame from where she self identifies herself. Mariana’s root query in these performed texts is, I’m not sure who will write a history about me; so I’m starting now so that they can have good notes. She performs these vignettes in the form of an album -- both a descriptive picture and song album -- to inform the audience about who she is and why. This work creates an expressive arch that links text, dance and song.

PREZENTACIJA PUZZLE #2 PROJEKTA

Magacin u Kraljevića Marka 4

21:30

Puzzle #2 je platforma za sistematičnu razmenu znanja i iskustava između generacije afirmisanih koreografa i novih, mladih umetnika kako bi se, posle izvesnog zastoja, uveli novi akteri u polje savremenog plesa. Kroz rad sa domaćim koreografima, polaznici programa stiču uvid u nova znanja i veštine – od plesnih i koreografskih praksi do produkcionih modela rada.

Prezentacija radionice - predstavljanje rada učesnika projekta PUZZLE #2 koji su tokom nedelju dana rada sa koreografkinjom Jovanom Rakić i dramaturgom Markom Pejovićem istraživali i uobličavali lična iskustva i motive koristeći ih kao osnov za performativno izražavanje.

PUZZLE #2 PRESENTATION

Magacin in Kraljevića Marka 4

9.30pm

Puzzle #2 is a platform for a systematic exchange of knowledge and experience between the generation of established choreographers and new, young artists so that new actors are introduced to the field of contemporary dance. By working with local choreographers, the participants will be able to gain new knowledge and skills – varying from dance and choreographic practices to production models.

Workshop presentation – showing of the participants’ work during a weeklong process led by choreographer Jovana Rakić and dramaturg Marko Pejović. The workshop was focused on researching and sculpting personal experiences and motifs, using them as the basis for performative expression.

23. oktobar

RAZMIŠLJANJA JEDNOG OBIČNOG SRPSKOG NEOLIBERALNOG VOLA

Magacin u Kraljevića Marka 4

19h

Po motivima Radoja Domanovića i mitovima kapitalizma. Dva - tri vola, jedna kola, ograda od vrljika i rep koji ne može da prođe. Šta sve možeš da prisvojiš, a da te niko ne obesi naglavačke i bičuje, šta sve možeš da uništiš, a da te svi tapšu po ramenu. Preživanje i preživljavanje uz riku gasova koji boje dugu ispod ozonske rupe. Sve to i još malo ničega u knedli od šljive.

Autor: Dušan Murić

Muzika: Srđan Ilić i Dušan Murić

Igraju: Dušan Murić, Petar Petrović, Nikola Vranić

Organizacija: Ksenija Đurović i Mirjana Dragosavljević

Produkcija: Marijana Cvetković za Stanicu i Kondenz

SPECULATIONS OF AN ORDINARY SERBIAN NEOLIBERAL OX

Magacin in Kraljevića Marka 4

7pm

Inspired by a satyrical novel of Radoje Domanović (1873 - 1908) and by fairy tales of capitalism. Two or three oxen, one wagon, a wooden fence and a tail that cannot pass. What else one can appropriate, so that no one else hang him upside down and flog with a cowhide; what else one can destroy, so that everyone else tap your shoulder. Chewing the cud of life, roaring, discharging gases that form a rainbow beneath the ozone hole. All of this and nothing in a noodle with plum.

Author: Dušan Murić

Music: Srđan Ilić and Dušan Murić

Performed by: Dušan Murić, Petar Petrović, Nikola Vranić

Organizers: Ksenija Đurović & Mirjana Dragosavljević

Producer: Marijana Cvetković for Station & Kondenz

LEPO VREME ZA OPERATIVNE SISTEME                

Magacin u Kraljevića Marka 4

21:30h

Kako se međunarodni freelance rad uvećava, a kultura postaje globalna zahvaljujući uticaju interneta, sve češće imamo iskustvo osećanja nepripadanja, kako u geografskom smislu tako i u kontekstu identiteskih politika. Ova fragmentacija donosi sa sobom osećaj smanjivanja mogućnosti političkog delovanja jer izgleda da je teže postići političku relevantnost u konstantnoj promeni konteksta. Ovaj osećaj izmeštanja utiče i na moju umetničku praksu tako što pokušavam da radim u okviru različitih aparatusa, stalno menjajući medije i okvire reprezentacije. U ovom istraživanju tragam za oblastima u kojima se aktuelni diskursi, umetnost, popularna i underground kultura ukrštaju, a sve u pokušaju da se suprotstavim dominantnom ahistoricizmu kroz praćenje analogija i

tradicija u njima. U ovom radu želim da se bavim i da problematizujem internet kulturu njenim sopstvenim sredstvima, pozajmljujući digitalne strategije i izume i remiksujući ih sa tradicionalnim i staromodnim okvirima reprezentacije. Ovi okviri idu od upotrebe tradicionalnih pozorišnih žanrova do ponovnog prisvajanja digitalnih procesa kroz njihovo otelotvorenje. Možda na tim ukrštanjima možemo naći tlo za ponovno osvajanje mogućnosti delovanja.

Ideja, dizajn scenografije, kostim, video, zvuk i izvođenje: Néstor García

Tekstovi: Tony Oursler, Mike Kelley, Ryan Trecartin and Néstor García

Trajanje: ±50min

Ko-produkcija: Stanica Servis za savremeni ples, Bâtard Festival (Brisel) i wpZimmer (Antverpen)

Hvala: Akademie Schloss Solitude (Štutgart), Kunstencentrum BUDA (Kortrik) i Kaaitheater (Brisel)

NICE WEATHER FOR OPERATIVE SYSTEMS

Magacin in Kraljevića Marka 4

9.30pm

As international freelance labor increases and culture becomes global due to the influence of the Internet, it is more frequent to experience feelings of non-belonging, in geographical terms as much as in our identity politics. This fragmentation brings with it a sense of diminishing political agency, since it seems it gets harder to achieve a political relevance in a constantly displaced context.

This feeling of displacement has also affected my art practice where I tend to work within different apparatuses, constantly shifting media and frames of representation. In this search I’m looking for areas where current discourses, arts, popular and underground cultures intersect, in an attempt to counter the dominant ahistoricism by tracing genealogies and traditions on those manifestations.

 In this piece I attempt to engage with and problematize Internet culture with its own tools, by borrowing digital strategies and devices and remixing them with traditional and outmoded frames of representation. These frames can range from the use of traditional theater genres to re-appropriating digital processes through embodying them. Perhaps on those crossroads we can find the ground to regain certain agency. 

Idea, Set Design, Costume, Video, Sound and Performance by: Néstor García

Texts by: Tony Oursler, Mike Kelley, Ryan Trecartin and Nestor Garcia

Duration: ±50min

Co-Production: Station Service for contemporary dance (Belgrade), Bâtard Festival (Brussels) and wpZimmer (Antwerp)

Thanks to: Akademie Schloss Solitude (Stuttgart), Kunstencentrum BUDA (Kortrijk) and Kaaitheater (Brussels)

24. oktobar

SAMO MOJE

Bitef teatar

19h

Rad se bavi istraživanjem tzv. ,,negativnih osećanja" pojedinca kao nezanemarljivim odlikama današnjeg svakodnevnog života u kapitalističkom društvu. Inspiracija za istraživanje, pored ličnih iskustava autora, potiče iz rada američke teoretičarke Ann Cvetkovich, koja tretira ova emotivna stanja pre kao društvene i kulturološke označitelje nego kao medicinska stanja pojedinca. Rad podržava javno prihvatanje ovakvih osećanja na kolektivnom nivou kao potencijalno polazište za stvaranje novih oblika zajedništva, solidarnosti i društveno-političnog delovanja.

Autori: Ana Dubljević i Igor Koruga

Scenski prostor: Siniša Ilić

Izrada scenskog prostora: Karkatag kolektiv
Muzika: Darja Janošević

Dizajn: Katarina Popović

PR: Sanja Ljumović

Produkcija: Ksenija Đurović

Ko-produkcija: Stanica Servis za savremeni ples uz podršku mreže Departures and Arrivals (DNA) kroz program Kreativna Evropa, Ministarstva kulture i informisanja Republike Srbije i Bitef teatra.

ONLY MINE ALONE

Bitef Theatre

7pm

The work explores so called "negative emotions" of an individual as a significant quality of everyday life within the present capitalistic society. The inspiration for this research, besides the authors' personal experiences, came from the theoretical and artistic work of Ann Cvetkovich, who treats them as social and cultural signifiers, rather than medical condition of an individual. The work supports public recognition of these emotions on a collective level, as a potential starting point for emergence of new forms of collectivity, solidarity and socio-political act.

Authors: Ana Dubljević and Igor Koruga

Performance space: Siniša Ilić

Performance space construction: Karkatag collective
Music: Darja Janošević

Designer: Katarina Popović

Producer: Ksenija Đurović

PR: Sanja Ljumović

Photos: Vladimir Opsenica

Co-production: Station Service for contemporary dance with the support of Departures and Arrivals (DNA) network through the Creative Europe programme, Ministry of Culture and Information of the Republic of Serbia and Bitef Theatre

25. oktobar

POVRATAK ZOMBIJA, EP. 3

Bitef teatar

19h

"Povratak Zombija" je treća epizoda u serijalu umetničkog istraživanja koje se bavi zombi figurom kao metaforom naše savremene subjektivnosti. Kroz ovaj projekat, procesom stalnih promena simboličkog okvira, zombi figura je instrumentalizovana ne bi li ukazala na fragilan odnos između realnosti i fikcije i time na mehanizme kojima se konstruiše naša realnost.

Nema razloga za strah.

Preživljavanje je ključna reč koju treba zapamtiti.

Znanje je deo borbe za preživljavanje; ostalo mora poteći od vas samih. Od vas zavisi da li ćete skončati u pasivnom prihvatanju ili ustati i viknuti: ,,Ja neću biti žrtva! Ja ću preživeti.” Izbor je vaš. Stoga – pokrijte prozore, zabarikadirajte vrata, spremite zalihe vode i hrane, radio, bateriju, alat, prvu pomoć, odeću, posteljinu, mapu, važne dokumente, keš i ostale potrepštine koje vam mogu trebati prvih par dana dok ne pronađete skrovište. Pošto ste napravili svoj komplet za prvu pomoć, organizujte se u grupe i napravite plan za slučaj napada. Prepoznajte vrste opasnosti koje su moguće u vašem području. Napravite popis lokalnih kontakata kao što su policija, vatrogasci i lokalni interventni tim. Pažljivo isplanirajte put evakuacije. Planirajte kuda ćete otići – i to u više pravaca. Tako ste uvek u prednosti i, u tom slučaju, oni nemaju nikakve šanse!

Autorka: Dragana Bulut

Umetničke saradnice: Sara Tošić, Ljiljana Tasić, Ana Monteiro

Dramaturškinja: Ana Vujanović

Grafika: Pernille Smith-Sivertsen

Producentkinja: Ksenija Đurović

Produkcija: Stanica Servis za savremeni ples, [DNA] Departures and Arrivals, Stipendija berlinskog senata, Bitef teatar, Ministarstvo kulture i informisanja Republike Srbije i workspacebrussels
[DNA] Departures and Arrivals je projekat kofinansiran od strane Evropske Unije kroz program Kreativna Evropa

RETURN OF THE ZOMBIE, EP. 3

Bitef Theatre

7pm

“Return of the Zombie” is third episode in a series of artistic research that is dealing with a zombie figure as a metaphor of our contemporary subjectivity. Through the process of constant changes of symbolic frames zombie figure is instrumentalized to point out the fragile relation between reality and fiction, exposing the mechanisms through which our reality is being constructed.

There is no reason for fear.

Survival is the key word to remember.

Knowledge is a part of the struggle for survival; the rest must come from you. It depends on you whether you will end up in a passive acceptance or stand up and shout: "I won’t be a victim! I'll survive." The choice is yours. Therefore – cover windows, barricade doors, store supplies of water and food, radio, flashlight, tool kit, first aid kit, clothing, bedding, maps, important personal documents, cash, and other supplies that you may need the first few days until you find a shelter. After you have made your emergency kit, organize in groups and make a plan in case of attack. Identify the possible risks in your area. Make a list of local contacts like the police, fire department and local emergency response team. Carefully plan your escape route. Plan where to go and move in several directions. That way you're always in advantage, and in this case – they have no chance!

Author: Dragana Bulut

Artistic collaboration: Sara Tošić, Ljiljana Tasić, Ana Monteiro

Dramaturgy: Ana Vujanović

Graphic: Pernille Smith-Sivertsen

Producer: Ksenija Đurović

Support: Station Service for contemporary dance, [DNA] Departures and Arrivals, Tanzstipendium, der Regierende Bürgermeister Berlin, Senatskanzlei – Kulturelle Angelegenheiten, Ministry of Culture of Serbia, Bitef Theatre and Workspacebrussels

[DNA] Departures and Arrivals is co-financed by the European Union through the Creative Europe programme.

KOREOEROTIKON

Klub Petak (Lomina 14)

21:30

Ples uobičajen u savremenoj popularnoj kulturi naglašava erotičnost tela, kao neophodnog činioca (samo)zadovoljstva i osećaja (lične) vrednosti. U ritualima plodnosti, ples je bio deo ceremonijalnih i duhovnih praksi, koje su seksualni čin i reproduktivne procese predstavljali simbolički. I u ritualima plodnosti i u pop kulturi, takve reprezentacije su prihvaćene i ohrabruju se, dok u uobičajnim okolnostima uglavnom ostaju u sferi privatnog.

Koreoerotikon se bavi pitanjem: Na koji način plesna predstava može da se bavi sadašnjom potrebom za erotičnošću i kako može biti upotrebljena za dobrobit društva, a ne samo za njegovo trenutno zadovoljenje?

Ana Dubljević, Darja Janošević, Marko Milić

Muzika: Darja Janošević

Umetnička saradnja : Aleksandra Jones

Vizuelni materijal: Bojan Đorđević

Produkcija: Ksenija Đurović

Hvala: Predragu Mladenoviću, Džonsonu, Isidori Stanišić, KC REX, Ivani Ašković, Bidadari -

Indonežanskom plesnom studiju, Andreji Široki i Marijani Cvetković

Produkcija: Stanica Servis za savremeni ples

Podrška: Nomad Dance Academy, Life Long Burning, Ministarstvo kulture i informisanja Republike Srbije, Program Kultura 2007 - 2013

KOREOEROTIKON

Club Petak (Lomina 14, Belgrade)

21:30

The dance most common in contemporary pop culture stresses the eroticism of the body, offers it as an imperative companion of pleasure and of (self)worth. In fertility rites the dance was part of ceremonial and spiritual practices, where the sexual act or reproductive processes were (symbolically) represented. Also, in fertility rites and in pop culture such representation in this specific context is adopted and encouraged by the group, whereas in ordinary circumstances it remains within the domain of privacy.

Koreoerotikon tackles this question: How could the contemporary need for eroticism be interpreted through a dancing performance and how could it be used for the purpose of improving the society and not solely for its momentary satisfaction?

Ana Dubljević, Darja Janošević, Marko Milić

Music: Darja Janošević

Artistic collaboration: Aleksandra Jones

Visual material: Bojan Đorđević

Production: Ksenija Đurović

Thank you: Predrag Mladenović, Džonson, Isidora Stanišić, KC REX, Ivana Ašković, Bidadari - Indonesian dance studio, Andreja Široki and Marijana Cvetković

Production: Station Service for contemporary dance

Support: Nomad Dance Academy, Life Long Burning, Ministry of Culture and Information of the Republic of Serbia, Culture Programme 2007-2013

26. oktobar

KEJV

Magacin u Kraljevića Marka 4

19h

Da li postoji snažna seksualna fantazija bez traume

Autor: Marko Milić

Izvođenje: Svetozar Adamović

Asistent: Igor Koruga

Tekst: Marko Milić i Milica Urić

Prevod i čitanje: Predrag Mladenović

KEJV

Magacin in Kraljevića Marka 4

7pm

Is there a strong sexual fantasy without trauma

Author: Marko Milić

Performer: Svetozar Adamović

Assistant: Igor Koruga

Text: Marko Milić & Milica Urić

Translation and reading: Predrag Mladenović

27. oktobar

BEAUTY OF ACCIDENT

Bitef teatar

19h

U ovom radu QUARTO nastavlja svoje istraživanje unutar umetničke prakse vezane za

koncept koreografija X filozofija. Šta se dešava sa telom kada ima posla sa objektom? Ili kad je objekat nametnut telu? Kako pokret potiče od objekta? Kako vratiti predmetu njegovu subjektivnost, jednom izgubljenu, da bi postao objekat i koristio svojoj svrsi? Kako se objekat može redefinisati? Koje vrste sila ova tela evociraju? Kako se može izazvati percepcija ili kako se na nju može uticati kroz manipulaciju objektom? Šta je objekat? Da li bi predmet mogao biti način posmatranja tela? Način posmatranja zainteresovanog tela? Uvek postoji interesni odnos između subjekta i objekta. Na primer, konopac je jedno kada se koristi da poveže ili zadrži nešto zajedno, a drugi kada služi za pretnju jer tada postaje oružje. Ne postoji konopac sam po sebi, već samo način njegove upotrebe. Ovaj projekat je poslednji deo druge trilogije brazilsko-švedskog dueta QUARTO. Istraživanje je započeto januara 2012. godine u Brazilu i nastavljeno je tokom umetničkih rezidencija u studiju Swedish Arts Grants Committee u okviru Međunarodnog plesnog programa, u SITEu u Stokholmu, INKONSTu u Malmeu i MDTu u Stokholmu.

Umetnički direktor: Leandro Zappala

Koreografija, koncept & izvođenje: Anna af Sillén de Mesquita & Leandro Zappala

Dizajn zvuka: Philippe Boix-Vives

Video: Palle Lindqvist

Pesnik: Naima Chahboun

Filozof: Fredrika Spindler

Grafički dizajn i produkcija: QUARTO

Sponzor: Pille Repmakarn

Ko-produkcija: SITE (production center for performing arts)

Podrška: The Swedish Arts Council, Stockholm’s Culture Committee and The International Dance Programme – The Swedish Arts Grants Committeé’s International

Programme for Dance Artists

Izvođenje na Kondenzu podržala je Ambasada Švedske u Beogradu

BEAUTY OF ACCIDENT

Bitef Theatre

7pm

In ‘Beauty of Accident’ QUARTO continues their research within an artistic practice allied to choreography x philosophy.

What happens to the body when dealing with an object? Or when an object is imposed on the body? How can movement originate from an object? How to return to the object its subjectivity, once lost, in order for it to become object and serve a function? How can the object be redefined? What types of force do these bodies evoke? How can perception be provoked or affected through the manipulation of the object? What is an object? Would an object be the mode of perceiving a body? The mode of perceiving an interested body? There is always a relation of interest between the subject and object. For example, a rope is one thing when used to bind or hold something together, and another thing when used to threaten someone, which then becomes a weapon. So the rope in itself does not exist, but rather a manner of use.

Artistic director: Leandro Zappala

Choreography, concept & performance: Anna af Sillén de Mesquita & Leandro Zappala

Sound design: Philippe Boix-Vives

Video: Palle Lindqvist

Poet: Naima Chahboun

Philosopher: Fredrika Spindler

Graphic design & production: QUARTO

Sponsor: Pille Repmakarn

Co-production: SITE (production center for performing arts)

Supported by: The Swedish Arts Council, Stockholm’s Culture Committee and The International Dance Programme – The Swedish Arts Grants Committeé’s International Programme for Dance Artists

CRITICAL PRACTICE (MADE IN YU)     

                 

Critical Practice (Made in Yu) je platforma za podršku mladim autorima koji pišu o plesu i performansu i svim njima srodnim temama. Platforma postoji od 2013. godine i nastala je u saradnji Stanice Servisa za savremeni ples, Lokomotive iz Skoplja, Nomad Dance Academy mreže i Ane Vujanović, kao mentorke programa. Ove godine učesnici programa su: Alexandra Balona (Portugalija), Nassia Fourtouni (Grčka), Aleksandar Georgiev (Makedonija), Nina Gojić (Hrvatska), Ana Letunić (Hrvatska), Ellen Söderhult (Švedska), Mateusz Szymanówka (Poljska) and Aniko Szucz (Mađarska/SAD).

Critical Practice (Made in Yu) je deo projekta Life Long Burning, a može se pratiti na 
http://criticalpractice-madeinyu.info/

Ove godine program podržava i promoviše Tisch School of the Arts / New York University

CRITICAL PRACTICE (MADE IN YU)

Critical Practice (Made in Yu) is a platform for support to young and emerging writers who write and reflect dance and performance as well as the relevant and referential fields and topics. The platform exists since 2013 and was conceived through collaboration of Station Service for contemporary dance, Lokomotiva from Skopje, Nomad Dance Academy network and Ana Vujanović as the program mentor. This year participants of the programme are: Alexandra Balona (Portugal), Nassia Fourtouni (Greece), Aleksandar Georgiev (Macedonia), Nina Gojić (Croatia), Ana Letunić (Croatia), Ellen Söderhult (Sweden), Mateusz Szymanówka (Poland) and Aniko Szucz (Hungary/USA).

Critical Practice (Made in Yu) is part of the Life Long Burning project, and can be followed here 
http://criticalpractice-madeinyu.info/

This year the programme is supported and promoted by The Tisch School of the Arts / New York University.

29. oktobar------------- POSTKONDENZ

 

EDEN

Bitef teatar

20h

EDEN suprotstavlja dva sveta koja su simultano prisutna u susretu između izvođača i publike. Ovde i sada pozorišnog susreta sudaraju se sa svetom slika koje lebde u prostorima unutar, izvan i između tela. Radeći sa ovim slikama kroz figuru klovna, EDEN se odbija o suprotnosti i paradokse scene kroz igru i sa smislom za humor. EDEN nije blaženo stanje odmora. EDEN je mesto izlečenja oštricom brijača.

Koncept, autorstvo i izvođenje: Mala Kline

Scena, svetlo & dizajn kostima: Petra Veber;

Muzika: Alen & Nenad Sinkauz (East Rodeo)

Muzički aranžmani & izvođenje: Luka Ropret

Dizajn zvuka: Sašo Kalan

Asistenti: Lucija Barišić & Adriana Josipović

Savetnici: Andrea Božić, Guy Cools

Asistent dizajnera kostima: Amanda Kapić

Tehnički direktor: Zoran Grabarac

Poducent: Žiga Predan

Produkcija: Pekinpah & E.P.I. center

Ko-producenti : DasArts Amsterdam, Kino Šiška, Student Center Zagreb –

Culture of Change – Theater &TD, Tanzquarter Wien, EN-KNAP / Španski borci

Podrška: modul-dance, Ministarstvo kulture RS, Ministarstvo nauke, kulture i sporta RS, Grad Ljubljana; uz podršku Programa Kultura i Evropske unije u okviru projekta modul-dance www.modul-dance.eu

EDEN

Bitef Theatre

8pm

EDEN juxtaposes two worlds that are simultaneously present in the meeting between a performer and an audience. The here and now of the theatrical meeting collides with the realm of images that hover in the spaces within, outside and in-between the bodies. Working with these images through a figure of a clown, EDEN collides opposites and stages paradoxes playfully and with a sense of humor. EDEN is not a blissful state of rest. EDEN is a place of healing with a razorblade.

If tenderness was concentrated to an essence, or turned to extremity beyond imagining, what would it look like, would I remember it like this?

Joe Kelleher

Concept, creation and performance: Mala Kline

Space, light & costume design: Petra Veber

Music by: Alen and Nenad Sinkauz (East Rodeo)

Music arrangements & Live music: Luka Ropret

Sound design & Feedback: Sašo Kalan

Assistance: Lucija Barišić and Adriana Josipović

Advising: Andrea Božić, Guy Cools

Costume design assistant: Amanda Kapić

Techical director: Zoran Grabarac

Producer: Žiga Predan

Production: Pekinpah & E.P.I. center

Co-production: DasArts Amsterdam, Kino Šiška, Student Center Zagreb – Culture of Change – Theater &TD, Tanzquarter Wien, EN-KNAP / Španski borci

Support: modul-dance, Ministry of Culture RS, Ministry of Science, Culture and Sport RS, City of Ljubljana; With the support of the Culture Programme of the European Union in the framework of the modul-dance project www.modul-dance.eu